They’ve been making so awesome videos together! Take a look!
During the Intern’s second meeting earlier this quarter, they split up into three groups and created short ABA scenes based around a three line script that we provided. We provided the words, they provided the context. See what they came up with!
Triton Television has grown a lot in just a year. This growth is not just in membership size, but also in skill, dedication, and creativity. The projects that have been produced since last year have challenged us and have gone above and beyond the TTV Standard we had in the past. As the academic year begins to come to an end, we look back at how far we’ve come and continue push our limits and take our skills to the next level.
This year’s sizzle reel not only serves to highlight the videos we produced but attempts to encapsulate the experience gained from our organization as a whole. This is because TTV is not just about making videos. It’s also about developing relationships and having personal growth by embracing your passion and surrounding yourself by people that share it.
Congratulations to this past quarter’s interns for completing the program! After attending our weekly workshops and seminars, these tritons finished off the quarter by producing personal projects. These interns wrote, produced, directed, and edited their own videos under the guidance of our TTV producers.
This quarter’s intern projects exceed expectations and we are proud to share each of them with you here.
A: Hey man. What are you doing tonight? B: Uhh I’m going to TTV’s GBM.
A: Oh yeah? What time is that at? B: 7pm
A: Is it at their studio? B: Nah man. It’s on the 4th floor of Price Center East. They hold it a room called the Governance Chambers. It’s right at the top of the stairs.
A: Dude, that’s so legit. B: You comin’ with?
A: You know it Dawg.
GBMs are held every other week on EVEN weeks. Today is February 12th of week 6. Next GBM will be on Tuesday of week 8.
The first GBM of the quarter is tomorrow, Tuesday January 15th, at 7pm in the Price Center EAST in the Governance Chambers!
The room is labeled “The Forum” in the Map above.
There we’ll be discussing upcoming projects, events, promotions, and reviewing proper procedures. There may even be a few treats! Meetings are held every even week of the quarter (weeks 2, 4, 6, 8, & 10). You may RSVP on our facebook event.
Hope yo see all you all there!
*Reminder, producers are required to attend.
First of all, for anyone who is not about to graduate in the next quarter or two, I recommend buying Canon. Both the Triton TV studio and Comm/VisArts departments use Canon. Shooting Canon opens up both these lens collections for you to experiment with. Plus for video Canon is still king. While Sony’s and Nikons have comparable options, Canon has been offering video for the longest amount of time, and they have the best support system for video. If you are planning on focusing on Photography, Nikon and Sony offer great alternatives. However the advantage with buying a Canon body is LENSES. Canon bodies are adaptable to most current lens on the market, however Canon lenses will only work properly with Canon bodies.
Now there are three major options when it comes to buying high end consumer/prosumer cameras.
Crop Sensor- Crop Sensors currently make up the bulk of your DSLR options. They have a physically smaller sensor compared to Full Frame cameras. This results in reduced low light performance and focal lengths must be multiplied by a factor of 1.6 in order to know the real focal length (A 50mm lens is actually the equivalent of a 80mm on crop sensor cameras). What these cameras loose in low light performance, they more than make up for with reduced weight and price.
7D -For a brief moment the 7D was the best option on the market for videographers. However as cheaper options became available the choice became blurred. The 7D offers the same crop sensor as the 60D albeit in a stronger weather proof body. For photographers the 7D also offers more AF points….but you shouldn’t be relying on those anyways! The 7D also features a slightly faster processor compared to the 60D, but this is something most users won’t really notice at all.
With the 7D you are also missing the articulated LCD from the 60D.
Because there are now cheaper options on the market…I would only recommend this body if you can find a great used deal, you are clumsy as fuck and always drop your shit, or you have a super annoying superiority complex and just have to be a little bit better than everyone else….you know to put them in their place.
(The Panasonic GH2 often comes up as a alternative for this model because they were release around the same time, however the GH2 had documented compression issues when it comes to video, I’ve been told this is fixable with a hack, however having a hacked camera malfunction on set looks pretty unprofessional.)
T3i – Technically this model has been replaced by the T4i, however the only improvement the T4i offers over the T3i is a gimmicky touchscreen interface….everything important has remained the same. So rather than spending an extra 200-300 dollars, I recommend buying the T3i.
The Ti Series are Canon’s entry level DSLR’s, they feature small form factors and light all plastic bodies. One big annoyance of this model however is the lack of dedicated Aperture control wheel when shooting manual. Overall this option sacrifices some features and ergonomics in favor of a smaller form factor and price. Newbies won’t notice these missing features, but pros will find themselves getting frustrated.
This is my recommendation if you are just starting out, but still want to buy a new camera.
T2i - Although this camera is now two generations old, if you are starting out and low on cash, you will likely find awesome deals on this model used. This is going to be your cheapest option to start shooting 1080p (at 24p and 30p). This video interface on this camera isn’t as polished as the T3i and you are still missing the dedicated aperture control. Also the T2i has an older sensor but similar processor compared to the T3i. Those with keen eyes wil notice worse low light performance compared to the T3i.
60D – The 60D acts as a marriage between the Ti Series and the more robust 7D. With this camera you get a dedicated aperture wheel, more robust (partially) magnesium body, larger articulating LCD, larger battery, optional battery grip, manual white balance selection, and more. You also get a better sensor and processor compared to the Ti series this results in improved low light performance, especially for photographers.
For crop sensors this is currently the best all around option on the market.
*T3 – Just stay away from this camera, avoid it like its a disease. This is basically the T3i with gutted video options. It is so useless it doesn’t even deserve a bold title.
Full Frame- Full Frame cameras are your low light kings. Full Frame is where Canon’s video technology really shines; and if you know how to use them properly they produce absolutely beautiful images. However, lets be real….If you are referring to this guide you’re probably not ready for a full frame camera yet. However if you want to future proof yourself, you shoot photography, you have wealthy relatives, or if you can find a kick-ass deal on a used camera then this is definitely an option you should consider.
5D Mark II – This was the camera that kicked off the DSLR revolution. It was the first DSLR to allow photographers to shoot 1080p in 24p and 30p. Since its introduction, the Mark II been used on professional film sets around the world, including big budget productions like Iron Man 2. That being said, this camera was designed with photography in mind first. Video on this camera is basically a half-baked feature that Canon decided to include (they improved it with the subsequent 7D, 60D, 5Dm3, etc).
Because this model has been replaced with the newer Mark III you can find some kick-ass deals on this camera, making this your cheapest full frame option.
5D Mark III – The replacement to the old king. First of all this is a very expensive option you should only consider if you know what the fuck you are doing (pardon my french…bitch). It offers a few unique features pros will appreciate; for example you can shoot to two cards at the same time so you automatically have a back up of your footage/photos and you get a programable multifunction button by the shutter. The Mark III has a beastly 22MP sensor and dual core processor. This give photographers and videographers some pretty amazing low light performance. But of course all this comes with a huuuge price! Even with holiday pricing be prepared to drop 3300 on this clunker.
6D - My recommendation for Full Frame (if you are buying one brand new.) Set to be released by Canon on December 10th. The 6D is basically a 7D with the 5D Mark III’s processor and a slightly less powerful 20.5MP sensor. The drop in performance is really only to get ignorant hussies to upgrade to the Mark III once this body is released. This is the best value option if you are trying to get into Full Frame. For $1200 less than the Mark III you get a Full Frame camera with a few cool(but also kinda gimmicky) bonuses like built in GPS(for automatic geotagging of footage) and built in WiFi(for automatic transfer of files and remote control via smartphone). Even though it is cheaper, still be prepared to drop $2100 and don’t expect any special holiday discounts off that price seeing as it is a brand new body.
Mirrorless – The newest technology on the market. Technically this camera isn’t a DSLR, however it is meant to be Canon’s answer to Micro 4/3 models from other companies. Canon doesn’t actually offer a camera with a Micro 4/3s sensor, instead if offers the EOS M. The EOS M offers users an compact mirror-less body with a APS-C Crop Sensor (same sensor size found in the Ti series, 60D and 7D). One annoying thing about this camera is you have to buy a $200 adapter to use regular canon lenses, but with the adapter you still retain full electronic control of the lenses (which you cannot normally do with Canon lenses on adapters).EOS M makes up for this inconvenience with its extremely small form factor. If you planning on traveling a lot OR need a camera that is inconspicuous for documentary work this is your best option.
This would also makes a great secondary camera to compliment a Full Frame camera on shoots for those of you looking for a backup (and if you’ze a rich betch who can afford a brand new camera as a backup).
Hopefully this helps anyone trying to decide which model to buy. Happy Shooting!
The first GBM will be held THIS WEDNESDAY (10/3) at 8pm at the Triton TV Studio.
The schedule for the rest of the GBMs is as followed….
Week 3 – 10/17 – 8:30 at PC West Thurgood Marshall College Room
Week 5 – 10/31 – 8:30 at PC West Thurgood Marshall College Room
Week 7 – 11/14 – 8:30 at PC West ELEANOR ROOSEVELT College Room
Week 9 – 11/28 – 8:30 at PC West Thurgood Marshall College Room
If you have any questions feel free to ask Pratik, Monica or any of the wonderful E-Board Staff and they will be happy to help you.
Office Hours for the Quarter!
Office hours are a time where you can come ask questions, present projects ideas, work on skills one-on-one and of course just come chill with us at the studio.
Pratik Shah – Monday 1:30-2:30p and Tuesday 12-1p
Monica Lee – Wednesday 12-2p
David Freitas – Monday 11:30-1:30p
Bryan Levinh – Monday 3-5p
Taylor Chan – Thursday 11:30-1p
Johnathan Nguyen – Wednesday 3-4p
Jesse DelBono – Wednesday 4-5p
Every quarter Triton TV offers a class that teaches UCSD students the basic and intermediate video production. Our experienced Producers will work with you in a variety of hands on situations in order to teach you the Triton TV Standard.
The program not only offers you the opportunity to learn new skills but also to build friendships and connections that will last a lifetime.
Those who complete the Internship Program are given the opportunity to join Triton TV as either a Staff or Producer.
If you have any interest in gaining experience in cinematography, editing, directing, writing, acting, documentary film, broadcast journalism, or any other aspect of video production, the TTV Intern Program is for you.
Registration is NOT required, just come on over to the Triton TV Studio starting on Sunday October 7th at 2pm and you are automatically enrolled. (This class is Pass/No Pass and does not count for any units). Hope to see you there!
It’s a new quarter which means new ideas, challenges, and most excitingly, new faces!!
Every quarter we run a free hands-on program for UCSD students that teaches the basics and essentials of video production, with heavy emphasis on teamwork and organized workflow. Our experienced and knowledgeable Producers will work with you in groups and one-on-one to teach you everything you need to know to start producing videos by the TritonTV Standard. You will come out of the program with new skills, friends, and connections that will last you a lifetime; not to mention your very own production and a shiny new position as Staff or Producer with us here at TritonTV!
If you have any interest in gaining experience in cinematography, editing, directing, writing, acting, documentary film, broadcast journalism, or any other aspect of video production, the TTV Intern Program is for you. Registration is not required, just come to the TTV Studio THIS Sunday (April 15) at 2pm and you will be automatically enrolled.
I’ll see you guys there, can’t wait to meet everyone!!!